Why is "Arifa Akbar" trending?

Search Interest Perspective

• John Proctor Is the Villain review – Arthur Miller’s classic sparks a #MeToo moment - The Guardian
• Romeo and Juliet review – overbearing directorial stamp saved by Sadie Sink and Noah Jupe’s chemistry - The Guardian
• My mother’s best advice: wear bold, bright colours - The Guardian
• All My Sons review – the stars of a dream cast align for Arthur Miller’s towering tragedy - The Guardian
• Can I tame my 4am terrors? Arifa Akbar on a lifetime of insomnia – and a possible cure | Books - The Guardian
• Wolf Moon by Arifa Akbar review – night terrors - The Guardian
• Oh, Mary! review – US history lewdly revised as American Pie-grade comedy - The Guardian
• Dracula review – Cynthia Erivo’s magnificent modern bloodsucker is defanged in one-woman show - The Guardian
• Into the Woods review – Brothers Grimm gloriously mashed up by Sondheim - The Guardian
• The best theatre, comedy and dance of 2025 - The Guardian
• The Hunger Games: On Stage review – thundering fight to the death in a dazzling dystopia - The Guardian
• The curious incident of the dog, the Hanover ballet and the everyday sexism we face as female arts critics | Arifa Akbar - The Guardian
• Evita review – Rachel Zegler is phenomenal but Jamie Lloyd’s rock show drowns out the story - The Guardian
• The Unbelievers review – Nicola Walker grapples with family tragedy in a flat drama - The Guardian
• Summerfolk review – lazy days of passion and privilege at Gorky’s doomed dacha - The Guardian
• Arcadia review – love, gardening and Euclidian geometry collide in Tom Stoppard’s cosmic masterpiece - The Guardian
• The Boy Who Harnessed the Wind review – Malawian boy’s amazing famine-beating creation inspires a rousing musical - The Guardian
• ‘I’m not blaming Bond for screwing up my career’: Maryam d’Abo on playing a thieving writer on stage – and a sniper cellist in 007 - The Guardian
• Burlesque: The Musical review – Christina Aguilera movie gets a gloriously ‘dirrty’ makeover - The Guardian
• The Meat Kings! (Inc) of Brooklyn Heights review – the American dream on the chopping block - The Guardian
• Ukraine Unbroken review – five searing dramas about the history and horror of Russia’s invasion - The Guardian
• Paddington: The Musical review – they’ve looked after this bear quite splendiferously - The Guardian
• Author Interviews - Arifa Akbar explores our sometimes complicated relationship with the nocturnal hours - The Bookseller
• Coven review – witchcraft musical cursed with cartoonish characters - The Guardian
• Here There Are Blueberries review – devastating anatomy of the truth behind Nazi snapshots - The Guardian
• Guess How Much I Love You? review – shattering portrait of a pregnancy in crisis - The Guardian
• The Hitchhiker’s Guide to the Galaxy review – flimsy extravaganza needs deeper thought - The Guardian
• Mrs Warren’s Profession review – Imelda Staunton in formidable form as brothel-keeper - The Guardian
• Man and Boy review – Rattigan’s murky reunion staged in silver-screen style - The Guardian
• Wolf Moon by Arifa Akbar: On the night shift - The Irish Times
• Wolf Moon review: An unsettling companion for a sleepless night - London Evening Standard
• Poor Clare review – sassy spin on a medieval saint asks pithy questions - The Guardian
• The Great Gatsby: A New Musical review – what a swell party this ain’t - The Guardian
• Brigadoon review – there’s no heat in the heather in this tame revival - The Guardian
• Troilus and Cressida review – history repeats as farce in Pythonesque takedown of ancient heroes - The Guardian
• The Tempest review – drama in the heavens adds real magic to tumultuous tale - The Guardian
• Uprooted review – the female fightback against the exploitation of Latin America - The Guardian
• Small Hotel review – Ralph Fiennes’ fever dream leaves you with major reservations - The Guardian
• What I learned from returning to my teen clubbing days - The Observer
• Wolf Moon: women’s journeys through the night - The Observer
• The Brightening Air review – shades of Vanya as a Sligo family squabble, tease and wrestle - The Guardian
• ‘A mix of vaudeville and David Lynch’: the hit play about a giant rabbit on a psychoanalyst’s couch - The Guardian
• The Highgate Vampire review – stranger-than-fiction events make for biting comedy | Theatre - The Guardian
• Is criticism in crisis? - The Observer
• The Railway Children review – a real steam train is the spectacular star - The Guardian
• Nationally acclaimed writers announced for Devon library events - Torbay Weekly
• A Recipe For Survival: Cooking My Way Through Eating Disorders And Grief - ELLE
• Women Writers Revisited: Arifa Akbar on Kathleen Collins - Women's Prize
• Consumed: A Sister’s Story by Arifa Akbar review – astonishing emotional integrity - The Guardian
• Giant – exploration of Roald Dahl and antisemitism that speaks to our times - The Guardian
• Punch review – James Graham’s tragic study of a fatal blow - The Guardian
• Theatre criticism is a quick and dirty act – our views change and so do plays - The Guardian
• Sceptre snaps up new book by Jhalak-shortlisted author and critic Arifa Akbar - The Bookseller
• Application 39 (for the 2048 Gaza Summer Olympics) / Return to Palestine review – witness more than theatre - The Guardian
• Vanya review – Andrew Scott excels in one-man Chekhov - The Guardian
• The Picture of Dorian Gray review – Sarah Snook plays 26 characters in dazzling, dangerous solo show - The Guardian
• ‘To hell with RP’ … how surprise Olivier nominee Rosie Sheehy is following in Richard Burton’s footsteps - The Guardian
• A Strange Loop review – ‘fat, Black, queer body’ musical is magnificent - The Guardian
• King Lear review – Kenneth Branagh’s fast and feverish tragedy - The Guardian
• The Maids review – Jean Genet’s chilling game of master and servant - The Guardian
• Here We Are review – Sondheim’s desperate diners have a double helping of Buñuel - The Guardian
• Consumed by Arifa Akbar, review — losing her sister to tuberculosis - The Times
• Arifa Akbar appointed as the Guardian’s chief theatre critic - The Guardian
• The Grapes of Wrath review – dark moments on a long jalopy ride through a shattered world - The Guardian
• Consumed by Arifa Akbar review – a sister’s story - The Guardian
• A Shakespeare play slashed to 80 minutes? Bring it on – theatre can be far too stressfull | Arifa Akbar - The Guardian
• Why Am I So Single? review – dating debacles from the duo behind Six - The Guardian
• The Unlikely Pilgrimage of Harold Fry review – life-affirming musical reckons with death - The Guardian
• Leopoldstadt review – Stoppard's family portrait is an elegiac epic - The Guardian
• Eureka Day review – Helen Hunt is an anti-vaxxer on the attack in anti-woke satire - The Guardian
• ‘We are hardly alive’: posts from Gaza cause tears at the Palestine festival of literature - The Guardian
• Hamlet review – one-woman juggling act exposes limits of Eddie Izzard’s acting ability - The Guardian
• My closest friend, my biggest enemy: can I make sense of my sister’s life and death? - The Guardian
• Treasure Island review – dashing female pirates strike gold on high seas - The Guardian
• We go to the theatre to feel something – and people do. Trigger warnings don’t stop that - The Guardian
• Romeo and Juliet review – star-crossed lovers transported to the wild west - The Guardian
• Hadestown review – thrilling songs from an American underworld - The Guardian
• The Tempest review – Sigourney weaves weird magic in West End debut - The Guardian
• The Red Shoes review – the RSC’s restyled fairytale doesn’t fit properly - The Guardian
• Opening Night review – Sheridan Smith’s boozy meltdown shakes up musical theatre - The Guardian
• Just For One Day review – Live Aid musical has soaring voices and pancake-flat characters - The Guardian
• Guys and Dolls review – Nicholas Hytner’s gamble pays off - The Guardian
• Waiting for Godot review – Beckett’s classic tragicomedy is more comedic than tragic - The Guardian
• Good review – David Tennant is magnificent in chilling drama - The Guardian
• Best of Enemies review – stylish staging of a landmark TV clash | Theatre - The Guardian
• Life after loneliness: ‘I felt desolate, invisible, panicky – then I gave up my PhD and got my life back’ - The Guardian
• Uncle Vanya review – Toby Jones triumphs in perfect Chekhov - The Guardian
• Wuthering Heights review – Emma Rice’s audacious riff on Emily Brontë’s classic | Theatre - The Guardian
• The Second Woman review – Ruth Wilson’s spellbinding theatrical marathon - The Guardian
• Why I backed a gender-fluid writer for a women’s fiction prize | Arifa Akbar - The Guardian
• The Seagull review – woodchip-walled Chekhov is hypnotic | Theatre - The Guardian
• Nye review – Michael Sheen looks back at the difficult birth of the NHS - The Guardian
• ‘Things were being thrown at us!’ Is booing at the theatre actually a good thing? - The Guardian
• Sylvia review – storming show sets suffragettes to soul, funk and hip-hop - The Guardian
• The Cherry Orchard review – Benedict Andrews brings Chekhov bang up to date - The Guardian
• Container review – avant-garde experiment evokes the vocalised sound of online scrolling - The Guardian
• Lyonesse review – Kristin Scott Thomas charms in messy #MeToo tale - The Guardian
• Slave Play review – Jeremy O Harris’s intense study of sex and race demands debate - The Guardian
• The Crucible review – stylish restaging is all beauty and no bite - The Guardian
• If you want to know how free a society is, look at what’s happening in its theatres | Arifa Akbar - The Guardian